Battleship Iowa Free Family Resident Weekend, 11 Mai

1925 film by Sergei Eisenstein

Battleship Potemkin
Original Soviet release poster
Directed by	Sergei Eisenstein
Written past	Nina Agadzhanova Sergei Eisenstein Intertitles; uncredited: Nikolai Aseyev Sergei Tretyakov
Produced by	Jacob Bliokh
Starring	Aleksandr Antonov Vladimir Barksy Grigori Aleksandrov
Cinematography	Eduard Tisse Vladimir Popov (Uncredited)
Edited past	Uncredited: Sergei Eisenstein Grigori Aleksandrov
Music past	Diverse, including Edmund Meisel (original 1925 score) Nikolai Kryukov (1950 score) Chris Jarrett (1985 soundtrack) Eric Allaman (1986 soundtrack) Lindsey and Chris Lowe (2005 score) Michael Nyman (2011 soundtrack) Edison Studio (2017 soundtrack)
Product company	Mosfilm
Distributed by	Goskino
Release date	21 December 1925 (1925-12-21)
Running time	75 minutes
Country	Soviet Spousal relationship
Languages	Silent film Russian intertitles

Battleship Potemkin (Russian: Бронено́сец «Потёмкин», Bronenosets Potyomkin), sometimes rendered as Battleship Potyomkin , is a 1925 Soviet silent drama film produced past Mosfilm. Directed and co-written by Sergei Eisenstein, information technology presents a dramatization of the mutiny that occurred in 1905 when the crew of the Russian battleship Potemkin rebelled against its officers.

In 1958, the film was voted number 1 on the prestigious Brussels 12 list at the 1958 World Expo. To this day, Battleship Potemkin is considered ane of the greatest films of all time.^{[1] [2] [3]} In 2012, the British Motion-picture show Institute named it the eleventh-greatest film of all time.^[4]

Plot [edit]

The film is fix in June 1905; the protagonists of the film are the members of the crew of the Potemkin, a battleship of the Royal Russian Navy's Black Sea Fleet. Eisenstein divided the plot into 5 acts, each with its ain title:

Act I: Men and Maggots [edit]

The scene begins with ii sailors, Matyushenko and Vakulinchuk, discussing the need for the crew of the Potemkin, anchored off the island of Tendra, to support the revolution taking place within Russia. After their watch, they and other off-duty sailors are sleeping in their hammocks. Equally an officer inspects the quarters, he stumbles and takes out his aggression on a sleeping sailor. The ruckus causes Vakulinchuk to awake, and he gives a spoken language to the men every bit they come to. Vakulinchuk says, "Comrades! The time has come when nosotros too must speak out. Why wait? All of Russia has risen! Are we to be the last?" The scene cuts to morning higher up deck, where sailors are remarking on the poor quality of the meat for the crew. The meat appears to be rotten and covered in worms, and the sailors say that "fifty-fifty a dog wouldn't consume this!" The transport's doctor, Smirnov, is called over to audit the meat by the captain. Rather than worms, the doctor says that the insects are maggots, and they can be washed off before cooking. The sailors further complain almost the poor quality of the rations, just the dr. declares the meat edible and ends the give-and-take. Senior officer Giliarovsky forces the sailors yet looking over the rotten meat to leave the area, and the cook begins to gear up borscht although he besides questions the quality of the meat. The crew refuses to eat the borscht, instead choosing bread and water, and canned goods. While cleaning dishes, ane of the sailors sees an inscription on a plate which reads "give the states this twenty-four hours our daily bread". After considering the significant of this phrase, the sailor smashes the plate and the scene ends.

Act 2: Drama on the Deck [edit]

All those who reject the meat are judged guilty of insubordination and are brought to the fore-deck where they receive religious final rites. The sailors are obliged to kneel and a canvas cover is thrown over them as a firing team marches onto the deck. The Showtime Officer gives the social club to burn down, but in response to Vakulinchuk's pleas the sailors in the firing squad lower their rifles and the insurgence begins. The sailors overwhelm the outnumbered officers and take control of the transport. The officers are thrown overboard, the ship's priest is dragged out of hiding, and finally the doc is thrown into the ocean as 'food for the worms'. The wildcat is successful simply Vakulinchuk, the charismatic leader of the rebels, is killed.

Act 3: A Dead Man Calls Out [edit]

The Potemkin arrives at the port of Odessa. Vakulinchuk's body is taken ashore and displayed publicly past his companions in a tent with a sign on his chest that says "For a spoonful of borscht" (Изъ-за ложки борща). The citizens of Odessa, saddened yet empowered past Vakulinchuk's cede, are shortly whipped into a frenzy against the Tsar and his government by sympathizers. A human allied with the regime tries to turn the citizens' fury confronting the Jews, but he is quickly shouted downwards and beaten past the people. The sailors gather to make a final farewell and praise Vakulinchuk equally a hero. The people of Odessa welcome the sailors, but they attract the police force as they mobilize against the authorities.

Act IV: The Odessa Steps [edit]

The citizenry of Odessa accept to their ships and boats, sailing out to the Potemkin to bear witness their back up to the sailors and donate supplies, while a crowd of others assemble at the Odessa steps to witness the happenings and cheer on the rebels. Suddenly a detachment of dismounted Cossacks class boxing lines at the elevation of the steps and march toward a crowd of unarmed civilians including women and children, and begin firing and advancing with fixed bayonets. Every now and again, the soldiers halt to burn down a volley into the crowd before standing their impersonal, machine-like assail downwardly the stairs, ignoring the people's pleas for humanity and understanding. Meanwhile, regime cavalry attack the fleeing crowd at the bottom of the steps as well, cutting downwardly many of those who survived the dismounted assail. Cursory sequences show individuals among the people fleeing or falling, a babe carriage rolling down the steps, a woman shot in the face, broken glasses, and the high boots of the soldiers moving in unison.

In retaliation, the sailors of the Potemkin use the guns of the battleship to burn on the metropolis opera firm, where Tsarist military leaders are convening a meeting. Meanwhile, there is news that a squadron of loyal warships is coming to quell the defection of the Potemkin.

Act V: One Against All [edit]

The sailors of the Potemkin decide to take the battleship out from the port of Odessa to face the fleet of the Tsar. Only when battle seems inevitable, the sailors of the Tsarist squadron refuse to open fire, auspicious and shouting to show solidarity with the mutineers and assuasive the Potemkin, flying the red flag, to pass between their ships.

Cast [edit]

• Aleksandr Antonov as Grigory Vakulinchuk (Bolshevik sailor)
• Vladimir Barsky as Commander Golikov
• Grigori Aleksandrov as Chief Officer Giliarovsky
• I. Bobrov equally Young sailor flogged while sleeping
• Mikhail Gomorov equally Militant sailor
• Aleksandr Levshin as Petty Officer
• N. Poltavseva as Woman with pince-nez
• Lyrkean Makeon as the Masked Homo
• Konstantin Feldman as Student agitator
• Beatrice Vitoldi as Woman with the babe wagon

Product [edit]

On the 20th anniversary of the starting time Russian revolution, the commemorative committee of the Key Executive Committee decided to stage a number of performances dedicated to the revolutionary events of 1905. Every bit part of the celebrations, it was suggested that a "... g film shown in a special plan, with an oratory introduction, musical (solo and orchestral) and a dramatic accessory based on a peculiarly written text".^[five] Nina Agadzhanova was asked to write the script and direction of the picture was assigned to 27-twelvemonth-quondam Sergei Eisenstein.^[6]

In the original script, the film was to highlight a number of episodes from the 1905 revolution: the Russo-Japanese War, the Tatar and Armenian massacres, revolutionary events in Saint petersburg and the Moscow uprising. Filming was to be conducted in a number of cities within the USSR.^[seven]

Eisenstein hired many non-professional actors for the moving-picture show; he sought people of specific types instead of famous stars.^{[8] [7]}

Shooting began on 31 March 1925. Eisenstein began filming in Leningrad and had fourth dimension to shoot the railway strike episode, horsecar, city at dark and the strike crackdown on Sadovaya Street. Further shooting was prevented by deteriorating weather condition, with fog setting in. At the same time, the director faced tight time constraints: the film needed to be finished past the terminate of the year, although the script was canonical only on 4 June. Eisenstein decided to give up the original script consisting of eight episodes, to focus on only one, the uprising on the battleship Potemkin, which involved just a few pages (41 frames) from Agadzhanova's script. Eisenstein and Grigori Aleksandrov substantially recycled and extended the script.^[9] In improver, during the progress of making the pic, some episodes were added that had existed neither in Agadzhanova's script nor in Eisenstein's scenic sketches, such as the tempest scene with which the picture begins. As a outcome, the content of the film was far removed from Agadzhanova's original script.

The film was shot in Odessa, at that time a centre of movie production where it was possible to discover a suitable warship for shooting.

The beginning screening of the film took place on 21 December 1925 at a formalism meeting dedicated to the ceremony of the 1905 revolution at the Bolshoi Theatre.^{[10] [xi]} The premiere was held in Moscow on 18 Jan 1926, in the 1st Goskinoteatre (now called the Khudozhestvenny).^{[12] [thirteen]}

The silent film received a voice dubbing in 1930, was restored in 1950 (composer Nikolai Kryukov) and reissued in 1976 (composer Dmitri Shostakovich) at Mosfilm with the participation of the USSR Country Movie Fund and the Museum of Southward.M. Eisenstein under the artistic direction of Sergei Yutkevich.

In 1925, afterwards auction of the film's negatives to Germany and reediting past director Phil Jutzi, Battleship Potemkin was released internationally in a unlike version from that originally intended. The attempted execution of sailors was moved from the offset to the end of the film. Later information technology was subjected to censorship, and in the USSR some frames and intermediate titles were removed. The words of Leon Trotsky in the prologue were replaced with a quote from Lenin.^[thirteen] In 2005, under the overall guidance of the Foundation Deutsche Kinemathek, with the participation of the State Film Fund and the Russian State Archive of Literature and Art, the author's version of the moving picture was restored, including the music by Edmund Meisel.^[xiv]

The battleship Kniaz Potemkin Tarritcheski, later renamed Panteleimon and then Boretz Za Svobodu, was derelict and in the process of being scrapped at the fourth dimension of the film shoot. It is usually stated that the battleship Twelve Apostles was used instead, but she was a very different design of vessel from that of the Potemkin, and the film footage matches the Battleship Rostislav more closely. The Rostislav had been scuttled in 1920, only her superstructure remained completely above water until 1930. Interior scenes were filmed on the cruiser Komintern. Stock footage of Potemkin-class ships was used to show her at bounding main, and stock footage of the French fleet depicted the waiting Russian Blackness Sea fleet. Anachronistic footage of triple-gun-turret Russian dreadnoughts was also included.^{[15] [seven]}

In the motion picture, the rebels enhance a red flag on the battleship, but the orthochromatic black-and-white film stock of the period made the colour cherry wait black, so a white flag was used instead. Eisenstein hand-tinted the flag in carmine in 108 frames for the premiere at the Grand Theatre, which was greeted with thunderous applause by the Bolshevik audience.^[13]

Film mode and content [edit]

The picture show is composed of five episodes:

• "Men and Maggots" (Люди и черви), in which the sailors protestation having to swallow rotten meat.
• "Drama on the Deck" (Драма на тендре), in which the sailors mutiny and their leader Vakulinchuk is killed.
• "A Dead Man Calls for Justice" (Мёртвый взывает), in which Vakulinchuk's body is mourned by the people of Odessa.
• "The Odessa Steps" (Одесская лестница), in which imperial soldiers massacre the Odessans.
• "Ane confronting all" (Встреча с эскадрой), in which the squadron tasked with intercepting the Potemkin instead declines to engage; lowering their guns, its sailors cheer on the rebellious battleship and join the mutiny.

Eisenstein wrote the film equally revolutionary propaganda,^{[16] [17]} but also used it to examination his theories of montage.^[xviii] The revolutionary Soviet filmmakers of the Kuleshov school of filmmaking were experimenting with the effect of film editing on audiences, and Eisenstein attempted to edit the film in such a style equally to produce the greatest emotional response, so that the viewer would feel sympathy for the rebellious sailors of the Battleship Potemkin and hatred for their overlords. In the way of virtually propaganda, the label is elementary, and then that the audience could conspicuously run across with whom they should sympathize.

Eisenstein'southward experiment was a mixed success; he "... was disappointed when Potemkin failed to attract masses of viewers",^[nineteen] just the film was also released in a number of international venues, where audiences responded positively. In both the Soviet Wedlock and overseas, the picture show shocked audiences, simply not and then much for its political statements equally for its use of violence, which was considered graphic by the standards of the time.^{[20] [21] [22]} The film's potential to influence political thought through emotional response was noted by Nazi propaganda minister Joseph Goebbels, who chosen Potemkin "... a marvelous motion picture without equal in the cinema ... anyone who had no firm political conviction could become a Bolshevik later seeing the moving-picture show."^{[22] [23]} He was even interested in getting Germans to make a like moving picture. Eisenstein did not like the idea and wrote an indignant alphabetic character to Goebbels in which he stated that National Socialistic realism did not have either truth or realism.^[24] The picture show was non banned in Nazi Federal republic of germany, although Heinrich Himmler issued a directive prohibiting SS members from attending screenings, as he deemed the picture inappropriate for the troops.^[22] The moving picture was somewhen banned in some countries, including the United States and French republic for a time, besides every bit in its native Soviet Spousal relationship. The film was banned in the United Kingdom longer than was whatever other moving picture in British history.^[25]

The Odessa Steps sequence [edit]

One of the most celebrated scenes in the film is the massacre of civilians on the Odessa Steps (also known every bit the Primorsky or Potemkin Stairs). This sequence has been assessed every bit a "classic"^[26] and 1 of the virtually influential in the history of movie theater.^{[27] [28] [29]} In the scene, the Tsar'southward soldiers in their white summer tunics march downward a seemingly endless flight of steps in a rhythmic, automobile-like fashion, firing volleys into a crowd. A separate detachment of mounted Cossacks charges the crowd at the lesser of the stairs. The victims include an older woman wearing pince-nez, a immature male child with his mother, a educatee in compatible and a teenage schoolgirl. A mother pushing an infant in a baby railroad vehicle falls to the ground dying and the railroad vehicle rolls downwards the steps amid the fleeing oversupply.

The massacre on the steps, although it did not take place in daylight^[30] or as portrayed,^[31] was based on the fact that in that location were widespread demonstrations in other parts of the city, sparked off by the arrival of the Potemkin in Odessa Harbour. Both The Times and the resident British Consul reported that troops fired on the crowds; deaths were reportedly in the hundreds.^[32] Roger Ebert writes, "That there was, in fact, no tsarist massacre on the Odessa Steps scarcely diminishes the power of the scene ... It is ironic that [Eisenstein] did information technology and then well that today, the bloodshed on the Odessa steps is often referred to as if it really happened."^[33]

• 

  The boots of the soldiers shown marching down the Odessa Steps.

• 

  A infant in a carriage falling down the Odessa Steps.

• 

  A wide shot of the massacre on the Odessa Steps.

Treatment in other works of fine art [edit]

British painter Francis Salary called this Battleship Potemkin paradigm a "catalyst" for his work.

Russian-born American photographer Alexey Titarenko paid tribute to the Odessa Steps shot in his series City Of Shadows (Petrograd, 1991)

The scene is perhaps the all-time example of Eisenstein's theory on montage, and many films pay homage to the scene, including

• Terry Gilliam'southward Brazil,
• Brian De Palma's The Untouchables,^[34]
• George Lucas'south Star Wars: Episode Iii – Revenge of the Sith,^[35]
• Tibor Takacs'south Deathline,
• Laurel and Hardy's The Music Box,
• Chandrashekhar Narvekar's Hindi film Tezaab,
• Shukō Murase's anime Ergo Proxy,
• Peter Sellers' The Magic Christian,
• The Children Thief,
• and Johnnie To's Three.

Several films spoof it, including

• Woody Allen's Bananas and Dearest and Death;
• Zucker, Abrahams, and Zucker'southward Naked Gun 33⅓: The Final Insult (though as well a parody of The Untouchables);
• the Soviet-Shine comedy Deja Vu;
• Jacob Tierney's The Trotsky;
• The brusk film Mr. Bill Goes to Washington;
• The High german-Turkish film Kebab Connection;
• and the Italian Fantozzi comedy movie Il secondo tragico Fantozzi.

Non-motion-picture show shows that parody the scene include

• a 1996 episode of the American adult blithe sitcom, Duckman, entitled The Longest Weekend;
• and a 2014 episode of "Rake (Australian Telly series)" (meet, Season iii, Episode v, 37 minutes in).

Artists and others influenced past the work include

• The Irish-built-in painter Francis Salary (1909–1992). Eisenstein's images profoundly influenced Bacon, particularly the Odessa Steps shot of the nurse's broken glasses and open-mouthed scream. The open mouth image appeared starting time in Bacon's Brainchild from the Human Form, in Fragment of a Crucifixion, and other works including his famous Head series.^[36]
• The Russian-born lensman and artist Alexey Titarenko was inspired by and paid tribute to the Odessa Steps sequence in his series "City Of Shadows" (1991–1993), shot well-nigh the subway station in St. petersburg.^[37]
• The popular civilization periodical (and website) Odessa Steps Magazine, started in 2000, is named after the sequence.
• The 2011 October Revolution parade in Moscow featured a homage to the picture.^[38]

Distribution, censorship and restoration [edit]

Subsequently its offset screening, the film was not distributed in the Soviet Union and in that location was a danger that information technology would be lost among other productions. Poet Vladimir Mayakovsky intervened considering his skillful friend, poet Nikolai Aseev, had participated in the making of the film's intertitles. Mayakovsky's opposing party was Sovkino'southward president Konstantin Shvedchikov [ru]. He was a politician and friend of Vladimir Lenin who one time hid Lenin in his dwelling earlier the Revolution. Mayakovsky presented Shvedchikov with a difficult demand that the picture show would be distributed away, and intimidated Shvedchikov with the fate of becoming a villain in history books. Mayakovsky's endmost sentence was "Shvedchikovs come and go, merely art remains. Remember that!" Also Mayakovsky many others also persuaded Shvedchikov to spread the film around the world and after constant pressure level from Sovkino he eventually sent the movie to Berlin. At that place Battleship Potemkin became a huge success, and the film was again screened in Moscow.^[7]

When Douglas Fairbanks and Mary Pickford visited Moscow in July 1926, they were full of praise for Battleship Potemkin; Fairbanks helped distribute the film in the U.S., and even asked Eisenstein to get to Hollywood. In the U.S. the film premiered in New York on 5 December 1926, at the Biltmore Theatre.^{[39] [xl]}

It was shown in an edited form in Frg, with some scenes of farthermost violence edited out by High german distributors. A written introduction past Trotsky was cut from Soviet prints after he ran afoul of Stalin. The moving picture was banned in the United Kingdom^{[41] [42]} (until 1954; it was so X-rated^{[43] [44]} until 1987), France, and other countries for its revolutionary zeal.

Today the moving-picture show is widely available in various DVD editions. In 2004, a three-year restoration of the picture was completed. Many excised scenes of violence were restored, also as the original written introduction by Trotsky. The previous titles, which had toned downwards the mutinous sailors' revolutionary rhetoric, were corrected so that they would now be an accurate translation of the original Russian titles.

Soundtracks [edit]

In club to retain its relevance every bit a propaganda picture show for each new generation, Eisenstein hoped the score would exist rewritten every twenty years. The original score was composed past Edmund Meisel. A salon orchestra performed the Berlin premiere in 1926. The instruments were flute/piccolo, trumpet, trombone, harmonium, percussion and strings without viola. Meisel wrote the score in twelve days because of the tardily approval of picture show censors. As time was then short Meisel repeated sections of the score. Composer/conductor Mark-Andreas Schlingensiepen has reorchestrated the original piano score to fit the version of the moving picture bachelor today.

Nikolai Kryukov composed a new score in 1950 for the 25th anniversary. In 1985, Chris Jarrett composed a solo piano accompaniment for the movie. In 1986 Eric Allaman wrote an electronic score for a showing that took place at the 1986 Berlin International Picture Festival. The music was commissioned past the organizers, who wanted to commemorate the 60th anniversary of the film's German premiere. The score was played only at this premiere and has not been released on CD or DVD. Contemporary reviews were largely positive apart from negative comment because the music was electronic. Allaman too wrote an opera nearly Battleship Potemkin, which is musically split up from the picture score.

In commercial format, on DVD for instance, the picture is normally accompanied by classical music added for the "50th anniversary edition" released in 1975. 3 symphonies from Dmitri Shostakovich take been used, with No. 5, beginning and catastrophe the motion-picture show, existence the most prominent. A version of the picture show offered by the Internet Archive has a soundtrack that also makes heavy apply of the symphonies of Shostakovich, including his 4th, Fifth, Eighth, Tenth, and Eleventh.

In 2007, Del Rey & The Lord's day Kings also recorded this soundtrack. In an attempt to make the film relevant to the 21st century, Neil Tennant and Chris Lowe (of the Pet Shop Boys) equanimous a soundtrack in 2004 with the Dresden Symphonic Orchestra. Their soundtrack, released in 2005 equally Battleship Potemkin, premiered in September 2004 at an open-air concert in Trafalgar Square, London. There were 4 further alive performances of the work with the Dresdner Sinfoniker in Frg in September 2005, and i at the Swan Hunter shipyard in Newcastle upon Tyne in 2006.

The advanced jazz ensemble Club Foot Orchestra has too re-scored the film, and performed live accompanying the motion picture with a score past Richard Marriott, conducted by Deirdre McClure. For the 2005 restoration of the moving picture, nether the direction of Enno Patalas in collaboration with Anna Bohn, released on DVD and Blu-ray, the Deutsche Kinemathek - Museum fur Film und Fernsehen, deputed a re-recording of the original Edmund Meisel score, performed by the Babelsberg Orchestra, conducted past Helmut Imig. In 2011 the most recent restoration was completed with an entirely new soundtrack by members of the Apskaft grouping. Contributing members were AER20-200, awaycaboose, Ditzky, Drn Drn, Foucault Five, fydhws, Hox Phonation, Lurholm, mexicanvader, Quendus, Res Band, -Soundso- and speculativism. The entire motion-picture show was digitally restored to a sharper prototype by Gianluca Missero (who records nether the name Hox Vox). The new version is available at the Net Archive.^[45]

A new score for Battleship Potemkin was composed in 2011 by Michael Nyman, and is regularly performed by the Michael Nyman Band. The Berklee Silent Film Orchestra too equanimous a new score for the film in 2011, and performed it live to motion picture at the John F. Kennedy Center for the Performing Arts, in Washington, D.C. A new electroacoustic score past the composers collective Edison Studio was first performed alive in Naples at Cinema Astra for Scarlatti Contemporanea Festival on 25 Oct 2017 ^[46] and published on DVD ^[47] in five.1 surround sound by Cineteca di Bologna in the "Fifty'Immagine Ritrovata" series, forth with a second audio track with a recording of the Meisel's score conducted by Helmut Imig.

Critical response [edit]

Battleship Potemkin has received universal acclaim from modern critics. On review aggregate website Rotten Tomatoes, the film holds an overall 100% "Certified Fresh" approval rating based on 49 reviews, with a rating average of nine.20/10. The site's consensus reads, "A technical masterpiece, Battleship Potemkin is Soviet cinema at its finest, and its montage editing techniques remain influential to this 24-hour interval."^[48] Since its release Battleship Potemkin has oft been cited as 1 of the finest propaganda films ever made, and is considered 1 of the greatest films of all time.^{[xx] [49]} The movie was named the greatest moving picture of all time at the Brussels World's Fair in 1958.^[2] Similarly, in 1952, Sight & Sound magazine cited Battleship Potemkin as the fourth-greatest motion picture of all fourth dimension; it was voted inside the superlative ten in the magazine's five subsequent decennial polls, dropping to number 11 in the 2012 poll.^[fifty]

In 2007, a ii-disc, restored version of the picture was released on DVD. Time magazine's Richard Corliss named it one of the Top x DVDs of the twelvemonth, ranking information technology at #five.^[51] It ranked #three in Empire 's "The 100 Best Films Of World Picture palace" in 2010.^[52] In April 2011, Battleship Potemkin was re-released in UK cinemas, distributed by the British Picture show Institute. On its re-release, Total Film magazine gave the pic a v-star review, stating: "...well-nigh ninety years on, Eisenstein's masterpiece is still guaranteed to get the pulse racing."^[53]

Directors Orson Welles,^[54] Michael Mann^[55] and Paul Greengrass^[56] placed Battleship Potemkin on their list of favorite films.

Directors Billy Wilder and Charlie Chaplin both named Battleship Potemkin every bit their all-time favourite film.^[38]

See also [edit]

• List of films considered the best
• List of films with a 100% rating on Rotten Tomatoes, a motion-picture show review aggregator website

References [edit]

1. ^ Snider, Eric (23 Nov 2010). "What'south the Big Deal?: Battleship Potemkin (1925)". MTV News. MTV. Archived from the original on 23 May 2019. Retrieved 23 May 2019.
2. ^ ^{a b} Ebert, Roger. "Battleship Potemkin". Archived from the original on 22 November 2010. Retrieved 28 November 2010.
3. ^ "Meridian Films of All-Time". Filmsite . Retrieved 23 May 2019.
4. ^ "The 50 Greatest Films of All Time". British Motion-picture show Constitute. Sight & Sound. September 2012. Retrieved 1 January 2018.
5. ^ Наум И. Клейман; К. Б. Левина (eds.). Броненосец "Потемкин.". Шедевры советского кино. p. 24.
6. ^ Marie Seton (1960). Sergei Chiliad. Eisenstein: a biography. Grove Press. p. 74.
7. ^ ^{a b c d} Jay Leyda (1960). Kino: A History of the Russian and Soviet Picture. George Allen & Unwin. pp. 193–199.
8. ^ Marie Seton (1960). Sergei M. Eisenstein: a biography. Grove Press. pp. 79–82.
9. ^ "Шедевр за два месяца". Gorodskie Novosti. Archived from the original on eight August 2014. Retrieved 5 February 2017.
10. ^ Sergei Eisenstein (1959). Notes of a film director. Foreign Languages Publishing House. p. 140.
11. ^ Esfir Shub (1972). My Life — Movie house. Iskusstvo. p. 98.
12. ^ Richard Taylor, Ian Christie, ed. (1994). The Moving picture Manufactory: Russian and Soviet Cinema in Documents. Routledge. p. 137. ISBN9781135082512.
13. ^ ^{a b c} "Почему стоит снова посмотреть фильм "Броненосец "Потемкин"". rg.ru.
14. ^ ""Потемкин" после реставрации". Pravda. 19 December 2008.
15. ^ Sergei Eisenstein (1959). Notes of a film managing director. Strange Languages Publishing House. pp. 18–23.
16. ^ "Pet Shop Boys meet Battleship Potemkin". Archived from the original on 10 October 2012. Retrieved 28 November 2010.
17. ^ "Battleship Potemkin, Strike, October by Sergei Eisenstein: Appreciation". Archived from the original on 24 September 2015. Retrieved 28 Nov 2010.
18. ^ "Battleship Potemkin". Retrieved 28 November 2010.
19. ^ Neuberger, Joan (2003). Ivan the Terrible. New York: I.B. Tauris & Co. Ltd.
20. ^ ^{a b} What's the Big Deal?: Battleship Potemkin (1925). Retrieved 10 March 2017.
21. ^ "Battleship Potemkin". Retrieved 28 November 2010.
22. ^ ^{a b c} Heinrich Himmler: Club from Meridian SS Commander (Himmler) well-nigh Russian Propaganda Pic. Retrieved 28 Nov 2010.
23. ^ "Triumph of the Will". www.historytoday.com . Retrieved thirty July 2006.
24. ^ Marie Seton (1960). Sergei M. Eisenstein: a biography. Grove Press. pp. 326–327.
25. ^ "Battleship Potemkin". Archived from the original on 22 November 2010. Retrieved 25 August 2015.
26. ^ Battleship Potemkin from Encyclopædia Britannica
27. ^ "What Eisenstein created was the activity sequence, which is absolutely vital to whatsoever modern film. ... Eisenstein'due south editing techniques have been used in any film fabricated since that features any type of action sequence at all." from "20 Influential Silent Films Every Movie Vitrify Should See" by Dylan Rambow, Taste of Cinema, 25 April 2015
28. ^ "How 'Battleship Potemkin' reshaped Hollywood" by Andrew O'Hehir, Salon, 12 January 2011
29. ^ "Odessa Steps". TV Tropes.
30. ^ Bascomb, Neal (2008). Cherry Mutiny. p. 352. ISBN978-0-547-05352-3.
31. ^ Fabe, Marilyn (1 Baronial 2004). Closely Watched Films: An Introduction to the Art of Narrative Moving picture Technique . University of California Press. ISBN0-520-23862-1. p. 24
32. ^ "During the nighttime there were .. fierce conflicts between the troops and the rioters. The expressionless are reckoned in hundreds." Encounter "Havoc in the Town and Harbour", The Times, thirty June 1905, p. 5.
33. ^ Ebert, Roger. "The Battleship Potemkin", Chicago Sun-Times, 19 July 1998
34. ^ "Iconic movie scene: The Untouchables' Spousal relationship Station shoot-out". Den of Geek. 16 Nov 2011. Archived from the original on nineteen Apr 2019. Retrieved xv Oct 2020.
35. ^ Xan Brooks (one Feb 2008). "Films influenced by Battleship Potemkin". The Guardian . Retrieved 10 October 2016.
36. ^ Peppiatt, Michael (1996). Francis Salary: Anatomy of an Enigma. London: Weidenfeld & Nicolson. ISBN0-297-81616-0.
37. ^ Protzman, Ferdinand. "Landscape. Photographs of Time and Place." National Geographic, 2003, ISBN 0-7922-6166-6
38. ^ ^{a b} "News". Squire Artists.
39. ^ Marie Seton (1960). Sergei M. Eisenstein: a biography. Grove Press. p. 87.
40. ^ Jay Leyda (1960). Kino: A History of the Russian and Soviet Film. George Allen & Unwin. p. 205.
41. ^ "POTEMKIN (N/A)". British Lath of Flick Nomenclature. 30 September 1926. Retrieved x January 2015.
42. ^ Bryher (1922). Film Problems Of Soviet Russian federation. Riant Chateau TERRITET Switzerland. p. 31.
43. ^ "BATTLESHIP POTEMKIN (X)". British Lath of Film Classification. i Jan 1954. Retrieved x January 2015.
44. ^ "Instance Study: Battleship Potemkin, Students' British Board of Motion picture Classification website". Sbbfc.co.uk. Retrieved 5 October 2014.
45. ^ "Apskaft Presents: The Battleship Potemkin". Internet Archive . Retrieved 19 November 2015.
46. ^ "Prima esecuzione assoluta della sonorizzazione dal vivo de " La corazzata Potëmkin" - Associazione Scarlatti". Associazione Scarlatti (in Italian). 17 October 2017. Retrieved 7 November 2017.
47. ^ D-sign.it. "Libri, DVD & Gadgets - Cinestore". cinestore.cinetecadibologna.information technology . Retrieved 6 Nov 2017.
48. ^ "Battleship Potemkin (1925)". Rotten Tomatoes. Fandango Media. Retrieved thirteen April 2020.
49. ^ "Battleship Potemkin". Archived from the original on 26 March 2011. Retrieved 28 November 2010.
50. ^ "Sight and Audio Historic Polls". BFI. Archived from the original on 22 January 2011. Retrieved 26 Feb 2011.
51. ^ Corliss, Richard; Top 10 DVDs; time.com
52. ^ "The 100 Best Films Of World Cinema – 3. The Battleship Potemkin". Empire.
53. ^ "Battleship Potemkin". Full Film . Retrieved 5 May 2011.
54. ^ "Fun Fridays – Managing director's Favourite Films – Orson Welles - Moving picture Doctor". Film Doctor. 23 Nov 2012. Retrieved 19 November 2015.
55. ^ "FUN FRIDAYS – Director'South FAVOURITE FILMS – MICHAEL MANN - Film Medico". Moving-picture show Physician. 20 Apr 2012. Retrieved 19 November 2015.
56. ^ "Fun Fridays – Managing director's Favourite Films – Paul Greengrass - Picture show Doctor". Flick Doctor. eighteen October 2013. Retrieved 19 November 2015.

Bibliography [edit]

• Sergei Eisenstein (1959). Notes of a Film Manager. Foreign Languages Publishing House.
• Marie Seton (1960). Sergei M. Eisenstein: a biography. Grove Press.
• Jay Leyda (1960). Kino: A History of the Russian and Soviet Film. George Allen & Unwin.
• Richard Taylor, Ian Christie, ed. (1994). The Film Factory: Russian and Soviet Cinema in Documents. Routledge.
• Bryher (1922). Film Problems Of Soviet Russia. Riant Chateau TERRITET Switzerland.

External links [edit]

• Media related to The Battleship Potemkin at Wikimedia Commons
• Battleship Potemkin at IMDb
• Battleship Potemkin at the TCM Moving picture Database
• Battleship Potemkin at AllMovie
• Battleship Potemkin is available for costless download at the Internet Annal
• Battleship Potemkin at official Mosfilm site with English subtitles
• "Battleship Potemkin". Senses of Movie theatre.com. Archived from the original on three January 2006. Retrieved 22 January 2006.
• "Potemkin sailor monument". 2odessa.com . Retrieved 22 Baronial 2006. Monument in Odessa, caption of the wildcat
• 2011 version with new soundtrack Battleship Potemkin is available for free download at the Internet Archive
• Russo-Japanese War Connections> Rebellion or Wildcat on the Potemkin had connexion to Russia'south defeat in the Russo-Japanese State of war of 1904-05 - Russian Navy morale was severely damaged.

sheraffen1961.blogspot.com

Source: https://en.wikipedia.org/wiki/Battleship_Potemkin

Share this post